In the next part I’m going to take a look at the Lens Blur in Photoshop. There is, of course, much more to the Smart Blur than creating white outlines, but this is a good place to start playing. Check the box for: Fill with Overlay-neutral color (50 gray) Click OK to close the dialog box, and a new layer called 'Film Grain' will appear in the Layers panel, which is placed above the original photo. Set the mode to Edge Only to get an effect like the one below. Name the new layer 'Film Grain', and then choose the film grain effect Photoshop options: Mode: Overlay. To get to this filter, choose Filter > Blur > Smart Blur. Open up an image in Photoshop and try this one out. Where considerable contrast occurs between the edges, Edge Only applies black-and-white edges, and Overlay Edge applies white. This is where you can get some really interesting and perhaps somewhat unexpected effects for a blur tool. The final option available with Smart Blur is to set a mode for the entire selection ( Normal) or for the edges of color transitions (Edge Only and Overlay). The choice here is low, medium or high quality. The third value that you can set is the Blur Quality. This stipulates how unalike the pixels must be before they are blurred. The view on the left displays a green overlay that identifies the sampling. You can also specify the Threshold value. Way of a great picture select Blur and select the eraser tool to click on the s. Like some of the other blurs, you can stipulate a Radius which determines the degree of blurring applied. The Smart Blur blurs the image with great accuracy. They are the Smart Blur and the Lens Blur which have been added in more recent versions of Photoshop. However, there are two other blurring filters that are well worth taking a look at. Even still, many of us rely heavily on the Gaussian Blur filter for our heavy-duty blurring. The Radial and Motion Radial Blurs have their uses when it comes to some special effects and like the Gaussian Blur filter, they have a preview window and a slider which allows you to control the strength of the blur. The other blur filters, “Blur” and “Blur More” have been part of Photoshop for a long time, but they generally require that you use the filter repeatedly before you start seeing the effects you’re after. This would be simple to do with a png rain overlay file for example, but I am struggle to figure out how to do it with something that would essentially be clear like a blur layer.ĭoes this make sense? I am launching project 2 soon and hoping to figure out a way to have a seperate overlay blur layer.For a lot of Photoshop users, blur tends to mean just one thing – that is Gaussian Blur. Using this project as an example, imagine I wanted to add png blur overlay layer that I could export seperately and include in the 150+ layers, which would essentially be an overlay which, if it was randomly selected by the code, would blur part or all of the selected output. Position the blur atop the large leaf- and moss-covered rock in the center of the foreground by. Select the image behind it and use the Blur effect to blur the background. Then, select your photo, duplicate it, and use the Remove Background feature to cut out only the subjects of your photo. Upload your image and crop it to fit your canvas however you’d like. It was all done in Photoshop, exported as PNGs and then using P5JS scripting/coding we launched the first on-chain generative photography project. Blur overlay, hold down the H key on your keyboard. Blur the background to make subjects stand out. Hey, having trouble finding any answers on this.Ĭan you create a tilt-shift blur overlay that is exportable and transferrable to any file? Similar to standard overlays (light flares, rain, snow etc etc).įor reference I launched the first generative photography project last year: Ī 1111 piece project which had 150+ layers and each output was made up of a possible 6 layers picked at random by our code.
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